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August 19, 1969 (20 items; TT = 79:04) |
Columbia Studio B, New York NY |
Commercial for Columbia |
Show chatter
Miles Davis (tpt); Wayne Shorter (ss); Bennie Maupin (bcl); John McLaughlin (g); Chick Corea (el-p); Josef Zawinul (el-p); Dave Holland (b); Harvey Brooks (el-b); Jack De Johnette (d); Lenny White (d); Charles Don Alias (d, perc); Jumma Santos [Jim Riley] (perc) |
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1 |
Bitches Brew (rehearsal) (M. Davis) |
2:45 |
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2 |
Bitches Brew (rehearsal) (M. Davis) |
1:59 |
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3 |
Bitches Brew (take 1) (M. Davis) |
4:09 |
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4 |
Bitches Brew (part 2 take 1) (M. Davis) |
0:34 |
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5 |
Bitches Brew (part 2 take 2) (M. Davis) |
0:22 |
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6 |
Bitches Brew (part 3 take 1) (M. Davis) |
2:18 |
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7 |
Bitches Brew (part 3 take 2) (M. Davis) |
1:05 |
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8 |
Bitches Brew (part 4 take 1) (M. Davis) |
0:21 |
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9 |
Bitches Brew (part 4 take 2) (M. Davis) |
6:52 |
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10 |
Bitches Brew (part 5 take 1) (M. Davis) |
0:26 |
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11 |
Sanctuary (take 2 - slated, no music) (W. Shorter-M. Davis) |
0:13 |
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12 |
Pharaoh's Dance (rehearsal) (J. Zawinul) |
3:20 |
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13 |
Pharaoh's Dance (take 1) (J. Zawinul) |
4:04 |
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14 |
Pharaoh's Dance (take 2) (J. Zawinul) |
4:25 |
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15 |
Pharaoh's Dance (rehearsal) (J. Zawinul) |
1:42 |
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16 |
Orange Lady (rehearsal) (J. Zawinul) |
1:54 |
17 |
Pharaoh's Dance (rehearsal) (J. Zawinul) |
0:20 |
18 |
John McLaughlin (M. Davis) |
4:22 |
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19 |
Bitches Brew (issued version) (M. Davis) |
26:58 |
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20 |
Sanctuary (take 2) (W. Shorter-M. Davis) |
10:55 |
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9 Bitches Brew (part 4 take 2)
CD: Columbia 88697 70274, Columbia 88697 54519
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18 John McLaughlin
12" LP: Columbia GP 26 (= CS 9996, PG 30977, GQ 30977), Music on Vinyl MOV LP020, Mobile Fidelity Sound Laboratory MFSL 2-439, CBS/Sony SONP 50255/6, CBS/Sony SOPL 24/5, CBS/Sony SOPJ 58/9, CBS/Sony 28AP 2151/2, CBS/Sony 36AP 1771/2, Mosaic MQ6-183, Columbia 88697 70274-2
CD: Columbia C2K 40577, Columbia C2K 65774, Columbia C4K 65570, Columbia C4K 90924, Columbia 88697 70274, Columbia 88697 54519, Mobile Fidelity Sound Laboratory UDSACD 2149, CBS/Sony 50DP 703/4, CBS/Sony CSCS 5151/52, Sony SRCS 9118/9, Sony 8837/40, Sony SICP 669/72, Sony SRCS 9714/5, Sony SIGP 20/1, Sony SICP 834/5, Sony SICP 1220/1, SICJ 10008/9, Sony SICP 20002/3, Sony SICJ 30077/8, Sony SICP 30267/68, Columbia Legacy 86975 24922
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19 Bitches Brew (issued version)
12" LP: Columbia GP 26 (= CS 9996, PG 30977, GQ 30977), Music on Vinyl MOV LP020, Mobile Fidelity Sound Laboratory MFSL 2-439, Columbia CAS 42193 (12" single), CBS/Sony SONP 50255/6, CBS/Sony SOPL 24/5, CBS/Sony SOPJ 58/9, CBS/Sony 28AP 2151/2, CBS/Sony 36AP 1771/2, CBS/Sony 00AP 2076/81, Mosaic MQ6-183, Columbia 88697 70274-2
CD: Columbia C2K 40577, Columbia C2K 65774, Columbia C4K 65570, Columbia C4K 90924, Columbia 88697 70274, Columbia 88697 54519, Mobile Fidelity Sound Laboratory UDSACD 2149, CBS/Sony 50DP 703/4, CBS/Sony CSCS 5151/52, CBS/Sony 80DP 872/5, Sony SRCS 5691/4, Sony SRCS 9118/9, Sony 8837/40, Sony SICP 669/72, Sony SRCS 9714/5, Sony SIGP 20/1, Sony SICP 834/5, Sony SICP 1220/1, SICJ 10008/9, Sony SICP 20002/3, Sony SICJ 30077/8, Sony SICP 30267/68, Columbia Legacy 86975 24922
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20 Sanctuary (take 2)
12" LP: Columbia GP 26 (= CS 9996, PG 30977, GQ 30977), Music on Vinyl MOV LP020, Mobile Fidelity Sound Laboratory MFSL 2-439, CBS/Sony SONP 50255/6, CBS/Sony SOPL 24/5, CBS/Sony SOPJ 58/9, CBS/Sony 28AP 2151/2, CBS/Sony 36AP 1771/2, Mosaic MQ6-183, Columbia 88697 70274-2
CD: Columbia C2K 40577, Columbia C2K 65774, Columbia C4K 65570, Columbia C4K 90924, Columbia 88697 70274, Columbia 88697 54519, Mobile Fidelity Sound Laboratory UDSACD 2149, CBS/Sony 50DP 703/4, CBS/Sony CSCS 5151/52, Sony SRCS 9118/9, Sony 8837/40, Sony SICP 669/72, Sony SRCS 9714/5, Sony SIGP 20/1, Sony SICP 834/5, Sony SICP 1220/1, SICJ 10008/9, Sony SICP 20002/3, Sony SICJ 30077/8, Sony SICP 30267/68, Columbia Legacy 86975 24922
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The music that does not appear on Bitches Brew is included on the bootleg
CDs Deep Brew, Volume 1 and Deep Brew, Volume 2 (Mega Disc) and
Unreleased Bitches Brew Session (So What (CDR) SW-146/47). Part 4 of "Bitches
Brew" ended up as "John McLaughlin." The alternate take of "John McLaughlin" issued
on Columbia Legacy's 40th anniversary collectors edition is really "Bitches Brew,"
part 4, take 2.
The tapes of these sessions contain a large number of gaps, the result of Teo Macero's
editing and post-production. Apparently on this occasion Macero worked directly
from the master tapes, not from safety copies; as a result there are no extant "complete"
recordings of these sessions. For the details, consult Enrico Merlin and Veniero
Rizzardi's Bitches Brew: Genesi del capolavaro di Miles Davis (Milano:
Il Saggiatori, 2009), which carefully analyzes the issued recording and all available
unused studio material.
The Davis Quintet maintained a busy touring schedule during this time: Rutgers University Stadium,
New Brunswick (Rutgers Jazz Festival) (July 27); Sheraton Park Hotel, French Lick
(French Lick Jazz Festival) (July 31); Spectrum, Philadelphia (August 15); Kiel
Auditorium, St. Louis (St. Louis Jazz Festival) (August 16); Grant Park Auditorium
Theatre, Chicago (August 22); Crosley Field, Cincinnati (Ohio Jazz Festival) (August
23); Mid-South Coliseum, Memphis (Memphis Jazz Festival) (August 24); Shelly's Manne-Hole,
Los Angeles (September 9-21).
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