This recording is from a 7" reel-to-reel tape in Louis Armstrong's collection,
LAHM Tape 74/Louis Tape 41, tracks 3 and 4. The tape begins with a young girl talking
and singing, and an excerpt of the 500th radio broadcast of "Quiz Kids." It continues
with a jam session involving Parker and Big Nick Nicholas in the basement of pianist
Buddy Johnson's home. This tape is marked "Bop Bop Bop" in Armstrong's
tape catalog. The full group seems to consist of trumpet; trombone; Parker on alto;
two tenors; piano; bass; and drums. The first tune sounds like "Three Little Words,"
and Parker has a long solo during which there is a lot of tape flutter and other
noise. (The tape is off-speed as well, and the speed fluctuates -- the times listed
above are from a version that has been pitch-corrected.) Following the jam session
there is a relaxed version of "Lady Bird" probably by the same group; Parker has a
beautiful opening solo. This tune is followed by a group without Parker playing "The
Lady is a Tramp." The tape concludes with a 1939 recording of "Rockabye Basie" and
two 1951 studio recordings, "That's It" and "All Yours," featuring Lars Gullin with
Bengt Hallberg, Gunnar Almstedt, and Jack Norén.
The tape box is undated, but the Armstrong Museum estimates the date as 1954-1959,
which is unhelpful since for most of this period Parker was dead. Of course the
museum is dating the artifact, not the recorded music. The 500th broadcast of "Quiz
Kids," which opens the tape, took place on January 8, 1950. The tape ends with the
Gullin Quartet tunes, recorded in Stockholm on February 21, 1951 and issued on Metronome
J-191. These tunes were released in the USA on New Jazz 841 (single) and Prestige
PRLP 121 (10" LP); one of these is almost certainly the source of the Gullin tunes
on Armstrong's tape. It is possible that the Parker/Nicholas recordings were made
during this period. The quality of the recording is not good enough to hear many
nuances of Parker's playing, although his fleetness and precision when warming
up before the jam session suggest the earlier date. This is Charlie Parker in his
prime. So 1950-1951 seems plausible, certainly more likely than 1954-1959.
Details for these recordings can be found in the Armstrong collection:
LAHM Tape 74/Louis Tape 41, track 3 and
LAHM Tape 74/Louis Tape 41, track 4.
I am grateful to Marcel Gärtner, John Griffin, Chieo Yamada, Leif Bo Petersen, and
Louis Lo Cicero for help with this session. Despite their help this remains a very
mysterious session.
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