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| February 19, 1947 (13 items; TT = 38:04) |
| C.P. MacGregor Studio, Hollywood CA |
| Commercial for Dial |
| Charlie Parker (as); Erroll Garner (p); George "Red" Callender (b); Harold "Doc" West (d); Earl Coleman (voc) |
|
| 1 |
This is Always (take 3 (master)) (M. Gordon-H. Warren) |
3:12 |
| 2 |
This is Always (take 4) (M. Gordon-H. Warren) |
3:08 |
| 3 |
Dark Shadows (take 1) (S. Henry) |
4:01 |
| 4 |
Dark Shadows (take 2) (S. Henry) |
3:09 |
| 5 |
Dark Shadows (take 3 (master)) (S. Henry) |
3:04 |
| 6 |
Dark Shadows (take 4) (S. Henry) |
2:57 |
|
| 7 |
Bird's Nest (take 1) (C. Parker) |
2:50 |
|
| 8 |
Bird's Nest (take 2) (C. Parker) |
2:48 |
|
| 9 |
Bird's Nest (take 3 (master)) (C. Parker) |
2:41 |
|
| 10 |
Cool Blues (take 1) [Hot Blues, Blowtop Blues] (C. Parker) |
1:57 |
|
| 11 |
Cool Blues (take 2) [Blow Top Blues] (C. Parker) |
2:22 |
|
| 12 |
Cool Blues (take 3 (master)) (C. Parker) |
3:06 |
| 13 |
Cool Blues (take 4) (C. Parker) |
2:49 |
|
| 1 This is Always (take 3 (master))
78 rpm: Dial 1015
12" LP: Dial LP 905, Spotlite SPJ 102
CD: Toshiba/EMI CJ25 5043/6, Toshiba TOCJ 6201/4, Toshiba/Spotlite TOCJ 0001/10, Mosaic MD9-260, Definitive DRCD 11152, ESP-Disk 4050, Frémeaux & Associés FA 1333
|
2 This is Always (take 4)
10" LP: Dial LP 202
12" LP: Spotlite SPJ 102
CD: Toshiba/EMI CJ25 5043/6, Toshiba TOCJ 6201/4, Toshiba/Spotlite TOCJ 0001/10, Mosaic MD9-260, Definitive DRCD 11152, Frémeaux & Associés FA 1333
|
3 Dark Shadows (take 1)
10" LP: Dial LP 202
12" LP: Dial LP 901, Spotlite SPJ 102
CD: Toshiba/EMI CJ25 5043/6, Toshiba TOCJ 6201/4, Toshiba/Spotlite TOCJ 0001/10, Mosaic MD9-260, Definitive DRCD 11152, ESP-Disk 4050, Frémeaux & Associés FA 1333
|
4 Dark Shadows (take 2)
12" LP: Dial LP 901, Spotlite SPJ 102
CD: Toshiba/EMI CJ25 5043/6, Toshiba TOCJ 6201/4, Toshiba/Spotlite TOCJ 0001/10, Mosaic MD9-260, Definitive DRCD 11152, Frémeaux & Associés FA 1333
|
5 Dark Shadows (take 3 (master))
78 rpm: Dial 1014
12" LP: Spotlite SPJ 102
CD: Toshiba/EMI CJ25 5043/6, Toshiba TOCJ 6201/4, Toshiba/Spotlite TOCJ 0001/10, Mosaic MD9-260, Definitive DRCD 11152, Frémeaux & Associés FA 1333
|
6 Dark Shadows (take 4)
12" LP: Spotlite SPJ 102
CD: Toshiba/EMI CJ25 5043/6, Toshiba TOCJ 6201/4, Toshiba/Spotlite TOCJ 0001/10, Mosaic MD9-260, Definitive DRCD 11152, Frémeaux & Associés FA 1333
|
7 Bird's Nest (take 1)
78 rpm: Dial 1014
12" LP: Dial LP 905, Spotlite SPJ 102
CD: Toshiba/EMI CJ25 5043/6, Toshiba TOCJ 6201/4, Toshiba/Spotlite TOCJ 0001/10, Mosaic MD9-260, Definitive DRCD 11152, Frémeaux & Associés FA 1333
|
8 Bird's Nest (take 2)
78 rpm: Dial 1014
12" LP: Dial LP 905, Spotlite SPJ 102
CD: Toshiba/EMI CJ25 5043/6, Toshiba TOCJ 6201/4, Toshiba/Spotlite TOCJ 0001/10, Mosaic MD9-260, Definitive DRCD 11152, Frémeaux & Associés FA 1333
|
9 Bird's Nest (take 3 (master))
78 rpm: Dial 1015, 1021
10" LP: Dial LP 202
12" LP: Spotlite SPJ 102
CD: Toshiba/EMI CJ25 5043/6, Toshiba TOCJ 6201/4, Toshiba/Spotlite TOCJ 0001/10, Mosaic MD9-260, Definitive DRCD 11152, Frémeaux & Associés FA 1333
|
10 Cool Blues (take 1)
78 rpm: Dial 1015
10" LP: Dial LP 202
12" LP: Dial LP 901, Spotlite SPJ 102
CD: Toshiba/EMI CJ25 5043/6, Toshiba TOCJ 6201/4, Toshiba/Spotlite TOCJ 0001/10, Mosaic MD9-260, Definitive DRCD 11152, Frémeaux & Associés FA 1333
|
11 Cool Blues (take 2)
12" LP: Dial LP 901, Spotlite SPJ 102
CD: Toshiba/EMI CJ25 5043/6, Toshiba TOCJ 6201/4, Toshiba/Spotlite TOCJ 0001/10, Mosaic MD9-260, Definitive DRCD 11152, Frémeaux & Associés FA 1333
|
12 Cool Blues (take 3 (master))
78 rpm: Dial 1015
10" LP: Dial LP 202
12" LP: Dial LP 901, Spotlite SPJ 102
CD: Toshiba/EMI CJ25 5043/6, Toshiba TOCJ 6201/4, Toshiba/Spotlite TOCJ 0001/10, Mosaic MD9-260, Definitive DRCD 11152, Frémeaux & Associés FA 1333
|
13 Cool Blues (take 4)
12" LP: Dial LP 901, Spotlite SPJ 102
CD: Toshiba/EMI CJ25 5043/6, Toshiba TOCJ 6201/4, Toshiba/Spotlite TOCJ 0001/10, Mosaic MD9-260, Definitive DRCD 11152, Frémeaux & Associés FA 1333
|
These are Parker's only recordings with Erroll Garner. Although "Dark Shadows"
is often credited to Coleman, Ira Gitler quotes Coleman as saying "Shifty Henry
was a bass player... He wrote 'Dark Shadows' and he brought it to me" (Swing
to Bop, p. 181). The four takes of "Cool Blues" are an interesting study
-- Parker and Garner are clearly comfortable at very different tempos, and they
end up compromising on take 4.
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